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Cue Sheet entry

CHRISTMAS, GASLIGHT STYLE

    In the latest Tucson Weekly, I pick through the Thanksgiving leftovers and come up with a review of Gaslight Theatre’s holiday show:

    Does a Gaslight Theatre show have to be funny? For a very long time, Gaslight has specialized in send-ups, first of old Western melodramas and eventually of all sorts of genre movies and TV shows. The scripts are full of jokes and splattered with anachronistic asides. They have always been funny, even if the jokes tend to be groan-inducing.
    But Gaslight's current holiday show, Christmas in the Big Apple, isn't very funny. It's not that writer-director Peter Van Slyke has gone for laughs and failed miserably; it seems that he simply hasn't really tried for much humor at all. The show is designed to be lively, heartwarming and clean fun for the family, but the laughs are few and far between.
    So I sat there a couple of weeks ago, stuffing free popcorn into my mouth and wondering if something had gone wrong, or if I had become more of a curmudgeon than usual, or if Van Slyke had merely changed his approach for the holiday season.
    You can read the whole thing here, and while you’re at the site, you might check out my preview of the upcoming Chamber Music Plus presentation.

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About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.

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