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Cue Sheet entry

GELB STRIKES AGAIN

After pressuring a New York radio station to remove a blog post critical of Peter Gelb's work as general manager of the Metropolitan Opera, Gelb has now put the squeeze on a publication more directly under his influence: Opera News, published by what was the formerly more-or-less independent Metropolitan Opera Guild, a fundraising affiliate. Gelb has packed the Guild with his own flunkies, and is now emboldened to pressure Opera News to stop running reviews of Met productions--reviews that have been increasingly negative during Gelb's tenure. The last straw was apparently a scathing editorial by one of the magazine's editors, declaring that “The public is becoming more dispirited each season by the pretentious and woefully misguided, misdirected productions foisted on them.”

Not since the time of an earlier reform-minded, control-freak general director, Rudolf Bing, has there been such rampant abuse of power and influence at the Met. Clearly, Gelb's artistic instincts have failed him more often than not, and his recent efforts to strangle justified criticism suggest that he believes the public is so stupid that if nobody points out Gelb's bungling, the audience won't notice it.

Gelb has initiated several important and, yes, successful programs at the Met, most noticeably the international movie-theater simulcasts. But, from what educated critics have been saying, fewer and fewer Met productions are worth seeing, and several of them haven't even been worth hearing. Now Gelb has become a further embarrassment to the institution through his manipulation of the media.

Peter Gelb should be fired immediately.

UPDATE: Within 24 hours of the news breaking, Gelb admits "I made a mistake" and backs down. He should still be given the boot.

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About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.

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classical-music