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Cue Sheet entry

ORPHANED ORCHESTRA

In the 1990s, I saw a lot of little local arts groups collapse when they lost their founders/leaders. There just wasn’t enough of an administrative infrastructure or shared artistic vision to sustain the organizations once their charismatic leaders burned out or moved on. Now, the Tucson Chamber Orchestra is facing life after the departure of its founder, but I think that this group just might survive. From the latest Tucson Weekly:

Last April, just days before a high-profile concert at the Fox Tucson Theatre, Enrique Lasansky unexpectedly announced that the upcoming performance would be his last with the Tucson Chamber Orchestra, which he had founded 17 years before. His e-mail surprised his musicians and board. "Enrique's leaving left a real void for me as a new board member," says Madeline Bosma. "Now I don't have the same kind of enthusiasm about promoting the orchestra that I had formerly, but I really love classical music, so because of that, I will do what I can to help it." Lasansky didn't exactly leave the orchestra in an artistic void. A guest conductor had already been engaged for the season finale in June, and concertmaster Ellen Chamberlain is serving as interim music director for the coming season, during which four local conductors will audition to replace Lasansky. "Artistically, we're in a very good place," Chamberlain says. "The players have really stepped up, taking control of a lot of things so everything runs smoothly. A lot of my colleagues from the Tucson Symphony and chamber opportunities I've had have renewed interest in the orchestra, so we're getting more fully professional talent into the group. We're getting stronger players, and because of that, we'll be able to do a more challenging repertoire." Board president Patrick Gibbons says, "We're looking forward to having more of a player-driven organization. That can either kill an orchestra or make it better, but we're pretty hopeful."

You can find my full article here.

Also this week, I review Chris’ Café in La Placita, and the key sentences are these: “There's nothing experimental or surprising at Chris', except for the surprise that the people behind the counter remain pleasant no matter how busy they get. Cautious eaters will feel perfectly safe here with the traditional fare.” Learn more here.

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About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.

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