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Cue Sheet entry

I HAVE RETURNED

Staying home sick in bed gets boring fast, so I’m actually glad to be back at work. There’s some catch-up blogging to be done, though, starting with links to my contributions to last week’s Tucson Weekly. First, a review of Arizona Theatre Company’s latest production:

Part of Lorraine Hansberry's _A Raisin in the Sun_ hinges on whether a black family in 1950s Chicago will be able to move up into a white neighborhood. Can such a play matter to us in 2009? Consider: My westside Tucson neighborhood neatly reflects the ethnic demographics of the city overall, mostly Anglo and Hispanic, but with proportionate representations of black and Asian families, too; it's happily and naturally integrated. Another point: This week, an African-American family took residence at America's most exclusive address, 1600 Pennsylvania Ave., Washington, D.C. So times have changed, redlining _A Raisin in the Sun_ out of the repertory, right? Not so fast. Setting aside the question of integration and race relations, the play is also about something more fundamental: How does a family set priorities for its own advancement? And can people's dreams and passions blind them to certain realities?

The complete review is here, from which you can move along to my less enthusiastic evaluation of a restaurant:

Once it opened way out on 22nd Street in 1998, Amereno's Little Italy developed a following as loyal as Giuseppe Garibaldi's—and now the restaurant is facing trials not unlike those of the Italian revolutionary leader. Garibaldi's career was a sequence of hard-won victories and strategic retreats, and periods of exile and political disappointment. Today, Garibaldi's name is synonymous with nationalism and unity, and his successes (he was eventually elected to the parliament of a unified Italy) overshadow his tribulations. So it goes with Amereno's. The restaurant temporarily closed a couple of years ago, and founder Victor Amereno moved away. But last autumn, fighting unfavorable economic odds, the restaurant opened in a new, more central location under the management of Jaqueline Piikkila, retaining executive chef Peter Wilkins and an emphasis on traditional Italian fare. Amereno's is making a noble culinary effort--yet the results are uneven. Let me make it clear that nothing my friends and I sampled there is really poor, and several items are quite good. What the menu lacks from dish to dish is a consistent high standard.

The full review, which isn’t really terribly negative, is here.

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About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.

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