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Cue Sheet – October 4th, 2005

ATOMIC FALLOUT

    If you’re interested in how critics are responding to the premiere of the John Adams/Peter Sellars opera Doctor Atomic, about the genesis of the atomic bomb, Lisa Hirsch provides a great many links at Iron Tongue of Midnight (that's an allusion to Shakespeare, not an S&M site; trust me). Doctor Atomic is a very big deal, garnering more coverage than anything else in recent classical-music memory. Critical opinion of the work is somewhat divided, but the score, at least, seems to—if you’ll pardon the expression—blow everyone away.

Classical Music,

About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.