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Cue Sheet – February 24th, 2006

STROKES OF GENIUS

    In public radio, we’re not allowed to give prices for events—too commercial. We can’t even say that something is free, because “free” is, essentially, a price. Our code term for “free” is “open to the public.” So now I would like to invite you to an “open to the public” event I’m helping to run during these next three days.
    It’s the Arizona Cultural Forum, an annual gathering of thinkers, talkers and doers who take under consideration the works of leading figures in different fields. Last year our subjects were Ives and Thoreau; this time, we’re putting our minds to Mozart and Einstein. We have a few panel discussions about music and physics and time, and several performances, too. Joel Revzen, the boss at Arizona Opera, will bring a singer down from Phoenix to present some Mozart songs and arias. Cellist-writer Harry Clark, my co-conspirator in this endeavor and its true mastermind, has penned a little play in which Albert Einstein (portrayed by William Killian) tries to get a violin lesson from Mozart’s father (Paul Fisher).
    Actress Lesley Abrams and I will read selections from Alan Lightman's bestseller, Einstein's Dreams, imagining what the world would be like if time worked in strange, different ways. Between readings, pianist Sanda Schuldmann will play music by Mozart, and afterward UA physics professor William Bickel will explain what it all means. We’ll also have some Mozart organ music played by UA prof Pamela Decker, and pieces for glass harmonica performed by Lynn Drye.
    You can read a little more about it in the Tucson Weekly, and in the Arizona Daily Star, but note that the Star gets the Saturday location wrong. Today (Friday) and Sunday we’re holding forth at Academy Village, at 13701 E. Spanish Trail, out near Colossal Cave, but if you prefer to stay closer to home, come to the Saturday shindig at St. Philip’s in the Hills Episcopal Church, 4440 N. Campbell Ave.
    And remember, it’s “open to the public.”

tucson-arts,

About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.