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Cue Sheet entry

ECLAIR SUR L'AU-DELA

    From a review in the local morning daily of a concert at the deaf-and-blind school in which Dmitri Kabalevsky’s The Comedians was accompanied by computer-generated abstract images:

    Russian composer Dmitry Kabalevsky would likely have chuckled at the sight Sunday afternoon. …
    Yes, Kabalevsky would have delighted in seeing the dynamic epilogue of his suite transcribed into a pulsing octagon shape that fused into a series of lines and swirls as the music grew more frenetic.
    The composer also would have been pleased to hear how fine the orchestra performed the work …
    Kabalevsky would have been pleased that his music touched so many people who likely did not hear a note of it.
    I am so jealous. Never in my career as a music critic have I ever been able to ask a dead composer his opinion of a performance. Clairvoyance is a skill seldom mastered by professional critics, who waste too much time studying music rather than extra-sensory perception.
    As edifying as it is to be informed of Kabalevsky’s posthumous opinions, I wonder what the critic thought of the performance?

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About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.

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Classical Music