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Cue Sheet entry

ALL A-QUIVER

    As a theater critic, I don’t write raves very often, so it’s somehow a little embarrassing that I enthuse this week over a silly little farce:

    Gaslight Theatre's treatment of The Adventures of Robin Hood is by no means a straight-arrow affair. Writer-director Peter Van Slyke has pulled from his quiver one groan-inducing gag after another, yet by the end of his assault, his show has hit every mark precisely on target. Robin Hood is Gaslight's most consistently funny and entertainingly silly production in a long time.
    Van Slyke's first advantage here is that he doesn't have to come up with a plot of his own, and risk losing the narrative thread or letting it go slack. You know exactly what's going to happen; how it happens is where the inspired Gaslight lunacy comes in.
    The full review is here, in the Tucson Weekly.

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About Cue Sheet

James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.

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