Via the blog oboeinsight, I happened upon this simple visual test to determine whether one primarily uses the left or right side of the brain. I distinctly see the dancer twirling clockwise, which supposedly makes me a righty, and that's a big surprise to me; the list of attributes accompanying the graphic pretty well describes me as a left-brain person. And you?
Here's a press release I just received about a competition named after Caruso, but not the Caruso you probably have in mind:
What: The 2007 Carmine Caruso International Jazz Trumpet Solo Competition and Gala Concert, hosted by the School of Music at The University of Arizona
When and Where:
Saturday, Nov. 3, 10:30 a.m. Lecture, Crowder Hall, UA School of Music
Saturday, Nov. 3, 12:00 p.m. Competition. Crowder Hall, UA School of Music
Saturday, Nov. 3, 7:30 p.m. Gala Concert, Centennial Hall, The University of Arizona
Cost/Admission: Free, open to the public
The center of the jazz trumpet world will be The University of Arizona campus on Saturday, November 3, 2007, as the UA School of Music hosts the 2007 Carmine Caruso International Jazz Trumpet Solo Competition and Gala Concert.
The Caruso competition is considered the most prestigious competitive event for jazz trumpet artists in the world. The International Trumpet Guild (ITG) and the Herb Alpert Foundation sponsor this bi-annual event. It is the first time the UA has hosted this competition. The winning prize is $10,000 and the runner-up receives $5,000. The UA School of Music, UA Presents and Tucson Jazz Society have teamed up with ITG and the Herb Alpert Foundation to offer the competition and this incredible concert free of charge as a musical gift to our community.
Thirty-four trumpeters, all under the age of 30, from Finland, Australia, New Zealand, Canada, England and the United States submitted audition CDs and tapes this past spring for a chance to perform in Tucson this year. The five final contestants chosen were: Ambrose Akinmusire (New York, NY), James Davis (Evanston, IL), Matthew Holman (Chicago, IL), Tobias Kaemmerer (Chicago, IL), and Charles Porter (New York, NY). Mr. Holman is a graduate of Canyon del Oro High School in Tucson.
The artists/judges for the Tucson final competition and concert are Byron Stripling, Pat Harbison, and Vince DiMartino. In addition to the judges, pianist and trumpeter Jeff Holmes will join all of the soloists during the Gala Concert. His arrangement of “Byouba,” written for the competition by Jeff Haskell, will be presented.
Composer/arranger Kim Scharnberg is providing the performers with a new work, commissioned for this concert, called “The Miraculous Polar Bear Adventure,” which features all nine of the guest trumpet artists.
UA Professors Jeffrey Haskell and Edward Reid are the co-hosts for this event.
Seems like I wrote about half of the latest Tucson Weekly, and I’m not confined to the arts section. Oh, sure, there are two theater stories, including a review of a very good Borderlands show …
Let's dispense right away with the silly question of whether an Anglo should write about characters of other ethnicities. Of course she should; it's the business of writers who aren't trapped in autobiography to imagine and understand other lives, lives of people necessarily much different from the writers.… the rest of which you can read here, before continuing on to a preview of a comedy ripped from today’s … er … e-mail:
And if we enacted some foolish no-imagination rule, we'd lack Dust Eaters, Julie Jensen's fine drama about four generations of Goshute Indians and their white Mormon neighbors.
Borderlands Theater is presenting the play in a marvelously acted production that maintains narrative and emotional coherence even though each scene brings a substantially different cast of characters.
It's the inescapable "4-1-9" scam (named after the Nigerian statute that, ineffectively, outlawed it), a descendant of the good old "Spanish Prisoner" con. A few people fall for it and get bilked out of hundreds or thousands of dollars; one or two have even been murdered. Most of us just delete the messages ... day after day after day.Find out what happened next here. Then, if you’re so inclined, find out what I think about Jennifer Lee Carrell’s Shakespeare thriller, Interred with Their Bones, in the book-review section, and my opinion of Mona Lisa Corleone Sicilian Restaurant back in the Chow section.
Not Dean Cameron. He wrote back and scammed the spammers.
In case you’re tired of reading the latest turn-of-the-screw stories about unfit actress moms and drunken TV-star drivers,, here’s a piece of my exciting life:
Yesterday I stayed home, sickish. My wife transferred her cold to me, and on Monday I was afraid I’d be in for a couple of days of nastiness, but I seem to have fended off the worst of it by staying home yesterday (but still waking up at 5 a.m., and taking only a one-hour nap after lunch, and spending five hours compiling an index for a Missouri travel publication, a job that requires another two or three hours of toil today).
Now I’m back, and today I have to 1) finish the aforementioned index, 2) record two narration scripts for the Arizona Friends of Chamber Music radio series, so we’ll have something to broadcast this Sunday afternoon, 3) write one of the aforementioned scripts, 4) interview Jennifer Lee Carrell about Shakespeare in the Wild West for a segment on KUAZ’s Arizona Spotlight, 5) look into either paying off a speeding ticket I got a week and a half ago zipping down the Catalina Highway after two nights of camping and hiking and NOT showering, or going to traffic survival school if I can fit it in before I leave for Switzerland in a week and a half, 6) take a nap, so I can stay up late when I 7) go to the UA production of Bus Stop tonight for a review I’ll write for next week’s Tucson Weekly. I guess I’d also better pay attention to my regular air shift between now and noon.
I just don’t have time for bad parenting and drunk driving.
The latest issue of Strings magazine is online, at least parts of it are, including a couple of articles by yours truly. Unless you’re a string player, you probably won’t feel compelled to read my piece all about spiccato, but please do take a look at my interview with Kim Kashkashian, today’s leading viola soloist; among other things, she discusses her new recording of lyrical Hispanic pieces.
This press release just arrived; it sounds like an interesting experiment, although it's scheduled at a time that's convenient mainly for students and retirees:
The UA School of Music will present The Philadelphia Orchestra in a live concert multicast at Crowder Hall, Friday October 12, 2007 at 10:45 a.m. The School of Music is one of a select number of music schools at major research universities invited to participate in the pilot phase of the Philadelphia Orchestra's Global Concert Series. The Philadelphia Orchestra is the first major orchestra to transmit live concerts to multiple large-screen venues.
The concert presentation on the UA campus is made possible through a collaboration between the Philadelphia Orchestra and the UA School of Music in conjunction with Internet2. Internet2 is a non-profit consortium of over 200 universities connected by a high-speed advanced network that allows advanced applications and technologies for research and higher education.
The concert features the Philadelphia Orchestra in three works conducted by Peter Oundjian. The all-Beethoven program includes the "Coriolan" Overture, Mr. Oundjian's transcription of the String Quartet No. 14 and the mighty Symphony No. 5. Audience members will be invited to participate in a survey about their experience.
The University of Arizona's participation in this pilot program is made possible in part by the James E. Rogers Conducting Institute at the School of Music with assistance from the Treistman Center for New Media at the College of Fine Arts.
James Reel's cranky consideration of the fine arts and public radio in Tucson and beyond.
