TUCSON 12 MINUTE MAKEOVER

posted to Rappaport's Notebook by Robert Rappaport

The City of Tucson is urging residents to help clean up their community.

The Tucson 12 Minute Makeover begins at noon, January 12, throughout the city.

![downtown-tucson][downtown-tucson]

Government officials are urging everyone to step outside and clean up areas around their homes, job sites, schools or parking lots.

Those helping out are urged to use the proper garbage and recycling bins to dispose of the litter they clean and follow a list of safety guidelines posted on the city’s web site. Some of those guidelines include using caution along roadways, staying out of storm drains, not trespassing on private property and wearing gloves and sunscreen.

Read all the safety guidelines

NEW BEGINNINGS, NEW CHALLENGES

posted to From the General Manager by Jack Gibson

The New Year brings new opportunities. At the end of 2009 Arizona Public Media (AZPM) was notified of a generous donor gift to provide the local matching funds for two Corporation for Public Broadcasting digital equipment grants. This will allow the organization to replace our last analog radio transmitter and secure equipment needed to complete the digital transition, as well as to increase our capacity building infrastructure. Our goal is to sound and look better to more people than ever before as we stay current with new technologies designed to help provide better service to our community.

In 2010 we are also premiering our new Rewards Card as an additional “thank you” for your membership support at the $40 level or more. The previous Member Card was only available at the $75 or higher membership level, so we are pleased to re-invigorate this member benefit at an amount that is more affordable, and offers discounts at even more places than ever before.

Though KUAT Channel 6’s year end fundraising goals were better than the national average, we still ended the year with a shortfall. Member dollars are used to purchase national programs like Frontline and Masterpiece and create locally produced series like Arizona Illustrated, The Desert Speaks, WaveLengths, ARTe, and others. I will keep you updated on our fundraising progress as we continue to provide you, our audiences, with the best in public media.

On behalf of all of us at AZPM, please accept our very best wishes for a healthy and prosperous new Year!

THE FUTURE (PAST) OF READING

posted to Cue Sheet by James Reel

I really do promise to blog more this year, and I intend to make things a little easier on myself by making the first post of each month a rerun of columns I wrote in the late 1990s for the e-zine The Whole Wired World, or TW3. Some of them have popped up in my blog in the past, but not systematically, and it’s been so long that you have surely forgotten having seen them before.

This one is especially pertinent now that Amazon.com is claiming that on Christmas Day it distributed more e-books for Kindle than regular paper books. It turns out that many of those e-titles were free, which badly skews the statistics, but the lesson remains that people have finally embraced the e-book concept. Even I would consider buying the next generation of the Kindle, mainly because I’ve run out of shelf space for traditional books. Ten or 12 years ago, though, when the Internet and CD-ROMs were still fairly new to most of us, the technology was simply inadequate to support a meaningful reading experience. Here was my (now outmoded) opinion at the time:

On the Future of Reading

However much noise anti-intellectuals and bookburners make, they never have the last word.

In the year 415, a powerful Roman redneck named Cyrillus ordered a Christian rabble to lynch the pagan philosopher Hypatia. After nearly three more decades of failing to win anybody's Mr. Congeniality contest, Cyrillus himself succumbed in 444. A bishop of Alexandria eulogized the old bastard in remarkable terms: "At last this odious man is dead. His departure causes his survivors to rejoice, but is bound to distress the dead. They will not be long in becoming fed up with him and sending him back to us. Therefore, place a very heavy stone on his tomb so that we will not run the risk of seeing him again, even as a ghost."

That's my favorite anecdote from Alberto Manguel's A History of Reading (Viking, 1996). Manguel has little to say about the future of reading, but the very act of retrieving that anecdote tells us much about the resilience of the book against an onslaught of electronic innovations.

When I went searching for that lovely eulogy, I couldn't remember the names of the principals involved, so the volume's index was no use. I did, however, recall reading the passage at the top of a left-hand page a bit more than halfway through the book. With a few pageflips, I found the spot.

It would have been much more difficult to locate the story onscreen. Because I couldn't recall any useful keywords, the software's "find" mechanism would have been as useless as the book's index. And because each online chapter would be one long page of scrolling text, I'd have no visual memory of the anecdote's location.

For those of us who return to texts with only vague notions of what we seek, the book remains the most accomodating random-access storage device. Its strength lies in its physical limitation—the text's segmentation into pages , which fence off blocks of words into manageable little realms defined by "top" and "bottom," "left" and "right," "before" and "after," "crisp" and "stained" and "dogeared." It's like getting your bearings in the American Southwest: You may not know your precise coordinates, but you define your place in relation to the mountains ahead, the mesa to the left, and the sage -choked plain behind.

By comparison, an onscreen search is no more scenic than a Kansas country road. When your keyword pops up in obviously the wrong passage, there's no need to linger; clicking with annoyance on "find next" resumes the quest instantly and whips you to the next monotonous field of words without context.

With a book, even failure can be rewarding. You expect your visual search to be inefficient, so you conduct it with greater patience and an open mind. The eye, as it skims down a page, continually snags on the unexpected and the half-remembered. You may not find the passage you seek, but at least you are enriched by the distractions along the way.

Now, the computer is undeniably the vehicle of choice for rapid, no-frills delivery of a narrow range of information. Newspapers, magazines and reference volumes don't stand a chance against the Internet and CD-ROMs. The computer user, like the harem eunuch, knows that certain advantages fall to the swift and sterile.

When we're lucky, we can obtain just the right nugget of knowlege in less time than it would take to phone a reference librarian. But too often we are crushed beneath the wheels of the latest Web search engine. Our amateurish queries return a deluge of close-but-not-quite-right citations—an infoblitz so intimidating that we give up after the first ten dead-end links.

Yet how much easier it seems to go blundering through some weighty tome off the shelf—the 3400 pages of Edward Gibbon's Decline and Fall of the Roman Empire, perhaps. Gibbon is finite, fringed by endpapers and enclosed by covers. The Internet has no comparable boundaries; we are more readily frightened by its mass of information, and more readily outraged by its omissions.

And we are more quickly defeated by its anti-linearity. If you try to go browsing through a document's hypertext links, you are led away from the information you want, and mired in irrelevancies and ephemera. A book, too, may lead you astray, but only within a narrow field—that bounded by its covers.

Curious, that accident is the delight of book-reading but the scourge of online life. It is again a matter of boundaries, of visible and tactile definition. We hold a book in our hands, and we feel that we control a small, riotous component of the universe. We squint at the computer screen, and feel that we teeter over a black vortex of equal parts knowledge and sludge.

Hardware developers are well aware of all this. Within a very few years, our portal to cyberspace won't be a box on the desk. It will be a battery- powered palmtop computer, with a relatively big glare-resistant screen and a CD-ROM drive and a port for cartridges providing high-speed wireless connection to the Internet. The thing may slip into a backpack, rest in an open hand, or, when necessary, prop up a short table leg. In other words, it will impersonate the book.

This evolution is mainly cosmetic. It won't eliminate the terrors and vexations of cyberspace. But it will enclose them in one of terraspace's most practical and therefore most enduring forms.

You can strike out at the book by destroying its creators, as Cyrillus did Hypatia, or by creating an alternative information storage and delivery system. But we will not readily forsake bound printed pages. During the past 500 years, they have become integral to our concepts of both research and relaxation. We may find diversion at the computer screen, but nothing is as rewarding as curling up on soft cushions with a comforting drink, a warm mammal, and a good book.

QUALITY, NOT QUANTITY

posted to Cue Sheet by James Reel

Writes blogger Pliable of "On and Overgrown Path," "It is my hope that in 2010 we will again start to measure classical music by its ability to sway, to inspire, to change and to comfort, as well as by its audience size." Indeed. See his full post here.

KNOW-IT-ALMOST

posted to Cue Sheet by James Reel

This Sunday, I'll be giving the pre-performance talk for Chamber Music Plus' presentation "A Stopped Clock: From Brahms To Bloomsbury." The subject will be English composer, conductor and women's rights activist Ethel Smyth, about whom I know about two minutes of material that will have to be spun out to fill a 20-minute chat. I'd better start hitting the books.

The talk begins at 2:30 this Sunday at the Berger Performing Arts Center; the performance, featuring Broadway actress Jenny Sterlin and new Tucson Symphony concertmaster Aaron Boyd, starts at 3. Even if you don't care about my talk, you'd better get there early, because most of the audience does, and the parking lot is small.

HOLIDAY ENTERTAINMENT

posted to Cue Sheet by James Reel

No blog posts in about two weeks ... sorry for that. It's been busy around here, getting a big batch of new releases cataloged before generating the January schedules, and putting together several special programs for Christmas Day in addition to the usual Arizona Friends of Chamber Music concerts each week. Whew! You can find a rundown of all our KUAT-FM holiday programming here.

In lieu of posting something original right now--I'm still trying to fix some database management issues that cropped up when I cranked out the January schedule, and investigating why the computer wants to play Shostakovich's Tenth Symphony every eight days--here's a repost of something from a few years ago, a coyote Christmas carol I wrote to be sung to the tune of "God Rest You Merry, Gentlemen":

God bless you, hairy cattlemen,

And hirsute shepherds, too.

More meager would our mealtime be

Without the likes of you,

Who've introduced into our realm

That tempting baa and moo.

Oh, thank goodness for human fools who keep

Cattle and sheep.

All we ask is:

Please don't shoot us from your Jeep.